Had originally used as the name of his top professional-model horns.Ĭonfusion, especially when you look at the below chart: Into the 50's retained the name Toneking (see below), which Julius Keilwerth Richard Keilwerth worked with the Amati company until 1949 Resident instrument companies, such as F.X. Amati's workers were recruited predominantly from former Of Amati’s names, “Kraslice”, is the Czech spelling Over by the Czech collective combine, Amati (founded in 1946, according to Amati’s website. Was "nationalized" and the workshops in Graslitz were taken
Initially considered the saxophone a “Western menace” andįrowned on its use, but there were definitely a few companies that flourishedĪnd these horns occasionally do appear on eBay and are engraved with Still the largest instrument manufacturer, with over 600 employees).įind about Keilwerth DURING WWII. Saxophone manufacturer in Germany with appx. It’s a bit uncertain if this process started Of German companies that would then add their own keywork and otherįinishing touches. Julius Keilwerth started providing saxophone bodies for a variety.Some saxophones for Kohlert – and each borrowed heavily from each others' designs. Saxophones, regardless of manufacturer, started to look almost identical. Somewhat amusingly, around 1920 - 1930, most German More probable that the German manufacturers borrowed these featuresįrom the Americans, rather than vice versa. Seen from Conn and lack of any saxophone patent by any Keilwerth, it’s Of these features and it’s been suggested many times that ConnĪctually borrowed from the Germans. However, there are quite aįew other German-made horns I’ve seen that also have one or more (see the "Early Models") borrowed much from the overallĭeluxe” model New Wonder horns: additional inlaid pearl keytouches, That’s about 20 or so miles from Graslitz, Czechoslovakia.Īt this point, an aside: these first horns Geography lesson: Adler and Hüller were located in Markneukirchen, Of which Max helped “develop” from 1923 to 1925). Hüller (another small German manufacturer, the saxophone department Primarily manufactured saxophones for Adler (a small German manufacturer that disappeared after World War II) and FX After this apprenticeship, JuliusĪnd Max established a workshop in their home around 1925 or 1926. Julius Keilwerth first worked for the KohlertĬompany in Graslitz, Czechoslovakia (A.K.A. Johann Keilwerth had three sons Max (1898 – 1968), Richard and Julius (1894 Taiwan and the EX90 is assembled with parts produced by Amati. The ST90 is a student horn produced in the R.O.C. * Modern Horns, the SX-90R and EX-90 - and are essentially evolutions of the Toneking and New King models.
AMATI SAXOPHONE SERIAL NUMBERS PROFESSIONAL
Peter Ponzol, a limited edition professional horn available for * New King and Toneking (three to four variations of each stencilled as the H-Couf horns, ConnĭJH Modified models, Selmer Bundy/Bundy Special and dozens of others)Īn intermediate model, that was stripped and used as the template for Soloist, Deluxe and Exklusiv models stencilled as the Selmer Pennsylvania - andĮach are slight variations on each other) Keilwerth has only had essentially three professional models: The links will take you to pages with more information Present as complete as possible history – but it’s by no Of a different format for these pages and I’m going to try to
They've even insisted on their forum that all Keilwerth horns are engraved
AMATI SAXOPHONE SERIAL NUMBERS FULL
The Keilwerth company itself doesn't know its full history: The Keilwerth company), Selmer, Kohlert, Amati and several other smaller There, a lot of it is in German (which I can’t read) and it’sĪlso partial: no one seems to know the full story of the Keilwerth companyĪnd its association with Boosey and Hawkes (before and after they purchased
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